The Blockbuster Phenomenon: a new museum trend: Đề thi thật 5/12/2024 (IELTS Reading Recent Actual Test) - Kèm đáp án + Giải thích từ vựng & cấu trúc khó

‘You should spend about 20 minutes on Question 1-13, which are based on Reading Passage 1 on page 2 and 3.

The Blockbuster Phenomenon: a new museum trend

Museums in Australia, like other pleasure-giving public organizations, are adapting their activities so that they more closely reflect the marketplace.

[A] Since the 1980s, the term “blockbuster” has become the fashionable word for spectacular, high-profile museum exhibitions that have the ability to attract large crowds. A blockbuster is a “large-scale loan exhibition that people who normally don’t go to museums will stand in line for hours to see” (Elsen 1984). Once the museum that created the exhibition has shown it to their local market, it can be offered to other organizations for a fee. This means that you can boost your own door takings and make money from boosting someone else’s door takings.

[B] While partaking of the excitement of the blockbuster, visitors thus lured are likely to stay longer at the museum. Betty Churcher, when Director of the Australian National Gallery, summed up the new blockbuster creed as follows: “The bonus of the blockbuster exhibitions is that people come to see the blockbuster and they stay to look at the permanent collection, so you are getting broader exposure for your collection.”

[C] Museums across the UK, USA, Canada, and Australia currently operate under a system of plural funding: revenue raised through contributions by federal, state, and/or local governments, combined with revenue raised through admission charges and other activities. Maintaining and increasing visitor levels is thus paramount and involves not only creating or hiring blockbuster exhibitions but providing regular exhibition changes and innovations. In addition, the visiting public have become known as customers rather than visitors, and the skills that are valued in museums to keep the new customers coming through the door have changed. Curators are now administrators, and being a museum director no longer requires an Arts degree—but public relations skills are essential if the museum is going to compete with other museums to stage traveling exhibitions that draw huge crowds.

[D] The convergence of museums, the heritage industry, tourism, profit-making, and pleasure-giving has resulted in the new “museology.” This has given rise to much debate about whether it is appropriate to see museums primarily as tourist attractions. In literature from both the UK and USA, the words that are starting to appear in some descriptions of blockbusters are “less scholarly,” “non-elitist,” and “populist,” while others extol the virtues of encouraging scholars to cooperate on projects and to provide exhibitions that cater for a broad selection of the community rather than an elite sector. Whatever commentators may think, managers of museums worldwide are looking for artful ways to blend culture and commerce, and blockbuster exhibitions are at the top of the list.

[E] But do blockbusters held in public institutions really create a surplus to fund other activities? If the bottom line is profit, then according to the records of many major museums, blockbusters do make money. For museums in some countries, it may be the money that they require to replace parts of their collections or to fix buildings that are in need of attention. For some museums in Australia, it may be the opportunity to illustrate that they are attempting to pay their way by recovering part of their operating costs. Also, creating or hiring a blockbuster has many positive spin-offs: blockbusters mean crowds, and crowds are good for the local economy, providing increased trade for shops, hotels, restaurants, the transport industry, and retailers. The argument that the arts provide sustained economic benefits has been well illustrated in impact studies in the USA and UK.

[F] However, blockbusters require large capital expenditure and draw on resources across all branches of an organization, and the costs don’t end there. There is a Human Resource Management cost in addition to a measurable “real dollar cost.” Receiving a touring exhibition draws resources from across functional management structures in project management style. Everyone, from general laborers to building services, front of house, technical, promotional, educational, and administrative staff is required to perform additional tasks. Furthermore, as an increasing number of institutions try their hand at increasing visitor numbers and memberships (and therefore revenue) by staging blockbuster exhibitions, it may be less likely that blockbusters will continue to provide a surplus to subsidize other activities due to the competitive nature of the market.

[G] It has been illustrated in both the UK and USA that the blockbuster ideology has resulted in the false expectation that the momentum required to stage blockbusters can be maintained continually. Creating, mounting, or hiring blockbusters is exhausting, with the real costs throughout an institution difficult to calculate. Secondly, as some analysts have argued, the “shopkeeping” mentality and cost-benefit analysis and a pure concentration on the bottom line can squeeze substance out of an exhibition. Taking out substance can be a recipe for blockbuster failure and therefore financial failure.

Perhaps the best pathway to take is one that balances both blockbusters and regular exhibitions. However, this easy middle ground may only work if you have enough space and have alternate sources of funding to continue to support the regular, less exciting fare. Perhaps the advice should be to make sure that you find out what your local community wants from you and make sure that your regular activities and exhibitions are more enticing.

Questions 1–4

Reading Passage 1 has eight paragraphs A–H.
Which paragraph contains the following information?
Write the correct letter A–H in boxes 1–4 on your answer sheet.

NB: You may use any letter more than once.

1. The reason why museum directors need to constantly alter and update their exhibits.
2. Mention of the length of time people will queue up to see a blockbuster.>> Form đăng kí giải đề thi thật IELTS 4 kĩ năng kèm bài giải bộ đề 100 đề PART 2 IELTS SPEAKING quý đang thi (update hàng tuần) từ IELTS TUTOR    
3. Terms that people have used when referring to blockbusters.
4. The various ways that institutions like museums get financial support.

Questions 5–8

Complete the sentences below.
Choose NO MORE THAN THREE WORDS from the passage for each answer.
Write your answers in boxes 5–8 on your answer sheet.

1. These days, museum visitors tend to be referred to as ___________.
2. Museum curators now need ___________ rather than academic qualifications.
3. The linking of a range of public institutions that entertain the public is known as ___________.
4. There is discussion about whether museums can be regarded in the same way as other ___________.

Questions 9 and 10

Choose TWO letters, A–E.
Write the correct letters in boxes 9 and 10 on your answer sheet.

Which TWO of the following are mentioned by the writer as advantages of blockbusters?

A. Some of the money they raise can be used for structural repairs.
B. They can provide funds to help support amateur artists.
C. Local services benefit from the extra business they bring about.
D. They encourage overseas workers into the local area.
E. They raise employee performance levels.

Question 11–13

Choose THREE letters, A–G.
Write the correct letters in boxes 11–13 on your answer sheet.

Which THREE of the following are mentioned by the writer as disadvantages of blockbusters?

A. They do not suit museum management styles.
B. Specialist business advice has to be paid for.
C. They involve an increased workload for personnel.
D. They do not increase overall annual visitor numbers.
E. They are very tiring to put on.
F. What is popular in one country may not be popular in another.
G. The content can be weakened through financial pressure.

Vocabulary:

1. Blockbuster

   • Meaning: An event, exhibition, or movie that is extremely popular or successful, especially one that draws large crowds.
   • Vietnamese: Sự kiện, triển lãm, hoặc bộ phim cực kỳ nổi tiếng và thành công, thu hút đông đảo người tham gia.

2. Lure

   • Meaning: To attract or persuade someone to do something, often by offering something appealing.
   • Vietnamese: Dụ dỗ, thu hút ai đó làm gì, thường bằng cách đưa ra cái gì đó hấp dẫn.
   • Example: "Visitors thus lured" means visitors who were attracted to stay longer.

3. Exposure

   • Meaning: The state of being made known to something, or the experience of something.
   • Vietnamese: Sự tiếp xúc, trải nghiệm về một cái gì đó, hoặc việc được biết đến cái gì.

4. Subsidize

   • Meaning: To support financially, especially by giving money to help pay for part of something.
   • Vietnamese: Tài trợ, trợ cấp, hỗ trợ về mặt tài chính.

5. Plurafund

   • Meaning: A source of funding from multiple contributors, such as government and private sectors.
   • Vietnamese: Quỹ được đóng góp bởi nhiều bên, như chính phủ và các tổ chức tư nhân.

6. Human Resource Management

   • Meaning: The department or practice that deals with recruiting, hiring, and managing employees.
   • Vietnamese: Quản lý nguồn nhân lực, liên quan đến việc tuyển dụng, tuyển chọn và quản lý nhân viên.

7. Expenditure

   • Meaning: The action of spending funds, or the amount of money spent.
   • Vietnamese: Chi tiêu, số tiền đã chi.

8. Musuemology

   • Meaning: The study or practice of managing museums, including organizing exhibitions, preserving artifacts, and attracting visitors.
   • Vietnamese: Môn học liên quan đến việc quản lý bảo tàng, bao gồm tổ chức triển lãm, bảo tồn hiện vật, và thu hút du khách.>> IELTS TUTOR có hướng dẫn kĩ PHÂN TÍCH ĐỀ THI THẬT TASK 2 (dạng advantages & disadvantages) NGÀY 04/8/2020 IELTS WRITING GENERAL MÁY TÍNH (kèm bài được sửa hs đi thi)

9. Overseas workers

   • Meaning: Workers who come from other countries to work in a different nation.
   • Vietnamese: Lao động đến từ các quốc gia khác, làm việc tại quốc gia khác.

10. Management styles

    • Meaning: The approach or method used by managers to guide and direct their teams.
    • Vietnamese: Phong cách quản lý, cách thức mà các nhà quản lý dùng để dẫn dắt và chỉ đạo đội ngũ của họ.

Answer:1 C 2 A 3 D 4 C 5 customers 6 public relation skills 7 museology 8 tourist attractions 9 A 10 C 11 C 12 E 13 G